Miami Filmmaker Carla Forte on shooting hundreds of dogs in action and her impromptu poem on inspiration

October 13, 2015

CARLA FORTE PHOTO by ALEXEY TARANThis month, The Miami Beach Cinematheque will hold its seventh installment of its Knight Foundation sponsored discussion series called Speaking In Cinema. Usually, the bi-monthly event features a local film critic, an out-of-town film critic and a guest filmmaker (this writer was one of the first guest critics). This time they are bringing together three Miami-based filmmakers for a very special installment of the series, and this is the first in what will be a series of interviews with the three filmmakers, who are all showing films in a retrospective series leading up to their talk. Meet Carla Forte.

Not too long ago, this writer reviewed the Hungarian film White God (White God takes the easy route to schlock over allegory– a film review). The most impressive thing about the movie was how the filmmakers wrangled 200 dogs and sent them marauding through the streets of Budapest. There was another film shown a few months earlier at the Miami International Film Festival that had a similar scene, Forte’s documentary The Holders. In it she explores the fate of many animals left at animal shelters (it’s often not pretty). Forte makes no apologies for the film’s bias toward animal rights. Writing via email, she says, “We need people in shelters who believe in not killing and who can confront the problem with compassion and respect.”

At the end of her film she presents the viewers with a solution that volunteers in Costa Rica have devised: a free range, no-kill shelter. It’s like a Shangri-La for dogs, where hundreds of abandoned dogs run free, receive health care and die natural deaths. The images of something like 700 dogs running down hills and jumping through creeks are stunning. “My friend Carla Lopez, a vegan activist, told me about this amazing place called Territorio de Zaguates,” explains Forte, “which shelters more than 700 hundreds stray dogs in Costa Rica. [Producer] Alexey Taran and I decided to travel to that place and expose this amazing reality happening in the mountains in a Latin American country.”

The place is so impressive, Forte has found a way to incorporate in her upcoming feature film, Ann. “It’s a feature film that narrates the story of Ruben, a man who has decided to abandon his tormented life by taking refuge within his own imagination,” she explains about the still in-progress movie. “His transgender wife Ann, in the face of a deteriorating relationship, attempts to understand Ruben’s idealized world.”

Forte says the film is still in its early stages. “We are launching an indigogo campaign to raise money,” she says. “We’ll be shooting the Feature Film in early 2016 in Miami and Costa Rica.”

Meanwhile, besides The Holders, the Miami Beach Cinematheque will also show an early short by Forte called “Interrupta,” which has been shown at several Latin American festivals as well as in Milan and Berlin. In it you will see her dancing in the shower. Besides being a director, she is also a quite talented modern dancer and choreographer. Dance often figures into her film work. As a choreographer, Forte puts a lot of thought in what dance means in a narrative, cinematic context. “‘Interrupta’ is about impermanence, emotional attachments, family. The characters in the art video are: my dad, my mom and my brother. We live in a world where every day people and things are influencing us and interrupting us. I am writing these lines while I am hearing my dogs barking and my neighbor cutting the grass. We have an everyday routine but suddenly something happens that we did not expect, good or bad, important or not, but it happened.”

There’s another abstract idea in the film, she adds. “I think people know some day we will die, but I think people do not realize that it can happen at any moment.”

When asked what inspires her as a filmmaker, Forte provided a rather poetic answer:

The desire to tell what I think inspires me. Is a path for expression.
Animals, people, the world inspire me. Is a path of exchange.
Silence, water, dance inspire me. Is a path of life.
Love and sadness inspire me. Is a path of feeling.
My family, my friends my dogs inspire me. Is a path of teaching.
Life inspires me. The big path.

Hans Morgenstern

The Miami Beach Cineamtheque begins showing the films by these local filmmakers starting this Friday, Oct. 16. For a detailed schedule, follow this link. It culminates in a discussion with the filmmakers, also including directors Jillian Mayer, Monica Peña, and Filmmaker Magazine Editor in Chief Scott Macaulay. This profile series continues tomorrow with a piece on Jillian Mayer (Jillian Mayer on inspiration from the medium of film and upcoming projects, from a talk show about pets to Kaiju) and then Monica Peña (read her profile here).

You can also read more about these filmmakers and their retrospective in an article in the Miami New Times by jumping over to the alternative weekly’s art and culture blog through the image below:

NT Arts

(Copyright 2015 by Hans Morgenstern. All Rights Reserved. This material may not be published, broadcast, rewritten or redistributed without permission.)

One Response to “Miami Filmmaker Carla Forte on shooting hundreds of dogs in action and her impromptu poem on inspiration”


  1. […] will be in Miami to host the conversation at the Miami Beach Cinematheque with Mayer, Carla Forte (Miami Filmmaker Carla Forte on shooting hundreds of dogs in action and her impromptu poem on inspir…) and Monica Peña (Storytelling through collaboration – Director Monica Peña discusses […]


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