There is nothing in Suicide Squad that shows any hope that an auteur filmmaker can do anything distinctive with the current cash cow of the Hollywood machine: the super hero movie. What Christopher Nolan once made his own has devolved into a predictable pastiche whose charms should be wearing thin on audiences. It doesn’t help that the movie is also an example of how bad one of these films can be when it becomes watered down and designed to refrain from shaking up anything in the so-called DC Universe. Suicide Squad, a PG-13 film, was supposed to be DC’s entry to rival Marvel’s R-rated Deadpool. Even though Deadpool had its own problems as a self-aware action movie, it still had focus and a bravado that is nowhere to be found in Suicide Squad.