With the arrival of daylight saving time this Saturday, here comes a special all-night out on Miami Beach: Sleepless Night Miami Beach. Every once-in-a-while Miami Beach is not about the club scene and partying at night. On Saturday night, as the populace “falls back” an hour, South Beach will host as many as 150 cultural events during the annual 13-hour night with an event that has only happened bi-annually since 2007. It follows in a tradition that first began in Paris as Nuit Blanche.

You want to see everything that will go down, maps, details and all? Go to the event’s homepage, to download this year’s 29-page program guide. The wonderful thing about keeping up with this blog is the inside scoop that seems to fall my way. Gabó hinted at what he had planned in my interview with him (Gabriel Pulido brings soundtrack craft to the early films of Luis Buñuel). Now he has revealed what movie will form the basis of his collaboration with visual artist Buzzeye. Check out  the clip below, which demonstrates the sort of visuals that will be “wall-casted” on the Frank Gehry-designed New World Symphony wall as part of the night, at 1 a.m. (the hour just before the time shift, so be aware):

The music and re-mixing of dialogue is Gabo’s handiwork, while the film was “deconstructed” and “colorized” by Buzzeye. I’m sure I need not mention the Italian classic’s title to readers of this blog.

I also received a phone call from Carl Ferrari, who will perform his hybrid jazz-Flamenco style with dancer Ana Miranda, at the start of the evening, at 6 p.m., on the second floor of the Miami Beach Public Library, another nice piece of architecture in itself. I wrote about him here: Happy re-birth day to Miami-based musician Carl Ferrari.

Throughout the night, the Miami Beach Cinematheque will actually project outside its venue, on to the surrounding buildings from all seven of its giant windows. The looping film project, Sonámbula by Dinorah de Jesús Rodriguez, will start projecting at 9 p.m. As the MBC calendar event space describes: the images are culled from “classic vintage film imagery that addresses the topic of sleeplessness or insomnia and the magical phenomenon of sleepwalking. Snippets from such classics as The Cabinet of Doctor Caligari will mingle with recurring images of giant eyes that blink with the electrifying movement created by hand-scratching on the imagery and the mechanical whirring of several 16mm projectors.” A few months back, the MBC’s director, Dana Keith, and I had chatted about how cool it would be to have the famous 24-hour film the Clock play inside the venue, but that was not going to happen (the night is 13 hours, after all, not 24).

Of course, that’s just a taste of the scores of events (and I am sure there will be plenty of unofficial ones) happening that night. All events are FREE and start at 6 p.m. and end at 6 a.m. with a free breakfast on the beach for those who can survive the 13-hour night.

Hans Morgenstern

(Copyright 2011 by Hans Morgenstern. All Rights Reserved. This material may not be published, broadcast, rewritten or redistributed without permission.)

I have been real busy as of late working other blogs with film and music pieces, plus I am brewing up some interesting exclusives for Independent Ethos. But today, I must pause to note that this day marks one year since one of South Florida’s greatest guitarists died and came back to life.

A few days ago, I wrote a brief profile piece on Carl Ferrari and his work for his band Gypsy Cat on Beached Miami, ahead of this “re”birth day, Aug. 28. Click the Beached Miami tile below to read it (and get a free download of “Zambra,” a mesmerizing, 11-minute-plus slow burn of a piece that highlights Ferrari’s plucking acrobatics):

It’s a short profile piece mostly focused on this man who should have been dead after suffering an electric shock on stage that stopped his heart. His savior, Alex Logan, a friend/musician/paramedic, describes that terrifying day last year in the piece.  “I remember I dropped down to my knees and prayed to God to keep him good and safe,” he told me over the phone. He said he had spent close to 10 minutes giving Ferrari CPR until paramedics arrived.

The profile was also in promotion of the release of the debut album by Gypsy Cat, which came out this past June. The eponymous debut sure is something different from the music I first heard him performing in the mid-nineties. He was the lead guitarist in what I described in the piece above as the “gloom-rock outfit Swivel Stick.”

This new CD opens with distinctive polyrhythmic beats of hand drums and hand claps, establishing it as Flamenco-influenced. “Nuestra Rumba” then continues on a rolling guitar rhythm featuring two intertwining melodies on one acoustic, sealing the Flamenco quality. But then a soprano sax offers a jazzy accompaniment, which the guitar joins. The instrumental pulls and melts into this shifty, yet cozy amalgam of very distinct styles, setting up the record’s unique sound. It also features more meditative pieces, like “Preludio” and a daring reinterpretation of the horn master Miles Davis’ “So What” with electric guitar at the center, not to mention the mp3 noted above. You can stream tracks from the full album here:

Check out Gypsy Cat’s Bandcamp page

I did not have space to share all the Ferrari-related news in the piece on “Beached Miami.” He also told me he is not necessarily done with Swivel Stick. During a recent phone conversation, he was fast to tell me that he maintains an affection for the dark, hardcore rock of Swivel Stick, which actually evolved to a more jazz-influenced group, often featuring several John Coltrane pieces in its repertoire. In fact, Ferrari assured me he’s not done with Swivel Stick, as he plans to have their unreleased 1998 album available to the public soon. “It’s pretty much finished except [producer] Frank [Albergaria] is pretty obsessed with it. He’s been mastering it for a while. That will be just an Internet release. I’ll set up a Bandcamp where people can download it for free.”

Anyway, that’s some extra news about this talent from Miami, and it’s a good thing for music to still have him around. Happy Re-Birthday, Carl!

Hans Morgenstern

(Copyright 2011 by Hans Morgenstern. All Rights Reserved. This material may not be published, broadcast, rewritten or redistributed without permission.)