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The latest documentary by director Jeff Feuerzeig, The JT Leroy Story, explores the making of the character of JT Leroy, an author who rose to fame in the early 2000s as a literary sensation by writing about his life, which included sexual abuse, homelessness and coping with HIV. A publisher recalls the work as a novelty, a new voice. However, the story of JT Leroy was a fantasy, a made-up story concocted by Laura Albert, a 40-year-old San Francisco woman originally from New York. She started using characters since early on in her life as she felt uncomfortable in her own skin. She used these personas partly to escape her life, which was full of trauma and abuse but also, seemingly, to get attention. She even attended therapy sessions as her character, melding fantasy and her life into different personas.

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The science fiction film genre offers so much potential. It’s too bad that it’s so easy to screw up (see this recent review). But then, you have movies like The Man Who Fell to Earth, something I once called “the last of the great sci-fi revolution.” Then, of course, there’s 2001: A Space Odyssey, a film I wrote my MA thesis on. It is among those inventive, quality movies that the 1973 animated film Fantastic Planet (La planète sauvage) stands. Now this film directed by René Laloux has been restored for 4K theatrical presentation, and it’s coming to our South Florida area thanks to the Miami Beach Cinematheque.

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The People vs. Fritz Bauer presents the story of Attorney General Fritz Bauer, a Jew on a quest to prosecute the crimes of the Third Reich, as he was also briefly in a concentration camp, at one point. The action is set in motion when he learns that Adolf Eichmann, a lieutenant colonel responsible for mass deportations, is not only alive but living in Buenos Aires, Argentina. To be sure, Eichmann is one of the worst Nazi officials, and in today’s political climate it would be hard to imagine that his prosecution would be riddled with difficulties, yet as this film shows, even in the late 1950s the political climate in Germany was not as progressive as it is today.

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This morning, Miami Dade College’s Miami Film Festival announced its GEMS 2016 Lineup. Like last year, the mini film festival will offer an array of films that will satisfy connoisseurs of world cinema, fans of music and those looking for a sneak peak at films that will surely go on to be Oscar contenders.

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If it’s hard for Terrence Malick to weave together an affecting story from shreds of beautifully photographed pastiche and disembodied voice over, then imagine one of his acolytes giving it a try. With that in mind, The Vessel, the feature-length directorial debut of Julio Quintana, a camera operator who worked with Malick on The Tree of Life and To the Wonder, actually comes across as quite accomplished.

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Director Ron Howard takes advantage of the wealth of archival photos and videos of the Beatles to recreate their touring years in his most recent film, Eight Days A Week. The documentary captures that sense of wonder that fans of the Beatles once had as this new phenomenon emerged and became a cultural icon. The style of the documentary is straightforward, as is the narrative, which follows a chronological, linear direction. The talking heads in the documentary are interspersed with stills and abundant video footage of the Beatles in action, some of it never seen until now.

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This weekend, PureHoney, our favorite South Florida-based, independent, grassroots entertainment ‘zine, will celebrate its fifth anniversary with an expansion of its usual anniversary party into a full-fledged music festival: Bumblefest. PureHoney publisher Steve Rullman says he is taking the ‘zine’s usual anniversary to the “next level.” Instead of two stages there will be five. Instead one venue there are now four, and instead of 10 bands, there will be 24.

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