Jonas Trueba Headphones Web

His middle name is Groucho but his comedy is far from the Marx legacy that influenced his father, Spanish filmmaker Fernando Trueba, and though some aspects of his films recall the French New Wave, do not call his style retro. Jonás Groucho Trueba’s films have modern concerns about love in a modern age. He also uses cinema techniques that push the against the medium’s boundaries to represent his themes with an equally fresh perspective.

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dont think twice

In Don’t Think Twice, comedian Mike Birbiglia once again taps into his sense for tragi-comedy to exorcise his demons by putting his personal struggles on the big screen. His previous movie, Sleep Walk With Me (Relationships and dreams collide in ‘Sleepwalk With Me’ — a film review) was a very personal re-telling of the end of a relationship gone awry. Now he turns to his career. Birbiglia wrote, directed, and co-stars in this new film that explores how individuals find a sense of belonging and how traditional markers of success, such as money and popularity, actually become obstacles that deter people from finding their own way.

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One of the most powerful films you will see this year is Land and Shade (Tierra y Sombra). The 2015 winner of the prestigious Cannes Caméra d’or, the movie is simple but has that subtle quality of getting under your skin. The story revolves around very few characters, a family in the Valle de Cauca region in Colombia. It is a low-income family: the matriarch Alicia (Hilda Ruiz) and her daughter-in-law (Marleyda Soto) work in a sugar plantation in a brutal environment for very low wages. The matriarch’s son Gerardo (Edison Raigosa) has fallen ill of some sort of respiratory illness. Bed-ridden, he can no longer work on the plantation. Gerardo’s wife steps up to his job while taking care of him and their 6-year-old son. The action is set in motion when his estranged father Alfonso (Haimer Leal) returns to enter the constrained family dynamic.

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Little Men 3

Get ready, one of the most heart-rending movies of 2016 may be Little Men. It’s one of those films that will hit you like a ton of bricks with a final, subtle scene that encapsulates a somber sort of loss that is sadder in its seeming lack of significance. It’s just one moment that captures a change that no one wanted but no one could prevent. That director Ira Sachs (who co-wrote the script with Mauricio Zacharias) captures the moment with no sentiment and a brutal matter-of-factness will rip the rug from right under you.

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There are few things today as ubiquitous as the internet. Our daily lives are sorted and stored online in a variety of ways, and we have become dependent on electronic information. Whether this interaction between humans and the connected world we have created is good or bad is an open question that invites many interpretations. In Lo and Behold: Reveries of the Connected World, the German philosopher/director Werner Herzog probes the depths of this relationship through a series of chapters that explore this cyber connectedness. One the one hand, he notes, the great potential and advances in scientific discovery that are beneficial to humankind. On the other, Herzog walks us through the part of the human realm that is lost or changed through this relationship.

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The directorial feature debut by American writer/actor Brady Corbet offers an arcane psychological portrait of a little boy who grows up to become a fascist leader. The storytelling of The Childhood of a Leader is spare and counts on the empathy and patience of the viewer, as Corbet keeps the inner world of this child obscured behind a physical performance by newcomer and British child actor Tom Sweet. The film focuses on behavior, especially punishment and a clear lack of love surrounding the boy, which is accentuated beyond words and exposition by an oppressive atmosphere of darkened interiors and a grim orchestral, sometimes cacophonous, score by English musician Scott Walker.

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still_under

It’s been a long time since a jump scare has genuinely grabbed me and left me unnerved in the pit of my guts the way Iranian writer-director Babak Anvari succeeded with his patiently executed and thought-provoking debut feature Under the Shadow. This carefully crafted movie will have its Florida premiere at this year’s second annual Popcorn Frights Film Festival (Tickets for Florida’s premiere horror movie fest Popcorn Frights on sale today; a chat with the fest’s creators), and it’s bound to be a surprise hit of the festival. It’s also one of those rare horror films that crosses over in appeal to fans of foreign language cinema, as it doesn’t overdo the cheap scares with gore and harbors an insightful connection to a particular culture and history, in the case Iran of the late 1980s.

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