It’s the middle of the Kechiche retrospective in Coral Gables and the best films are this weekend
July 10, 2015
Abdellatif Kechiche, The director behind Blue is the Warmest Color, one of my favorite films of 2013 (Film Review: ‘Blue Is the Warmest Color’ and the pain of loving), has a very rich filmography that few have seen in the U.S. in its entirety. Two of his previous films (2000’s La Faute à Voltaire [a.k.a. Blame it on Voltaire or Poetical Refugee] and 2010’s Black Venus [pictured above]) never received commercial theatrical runs in the U.S. As far as the other two, Secret of the Grain (2007) is thankfully available via the Criterion Collection (Support the Independent Ethos, purchase direct through Amazon via this link) but his second film, Games of Love and Chance (2003), went of print when its distributor, New Yorker Films, went temporarily out of business (if you’re lucky, Amazon will have one for sale by re-sellers).
So that’s the situation of Kechiche’s filmography in the U.S. But I had the chance to see all of his films, two in 35mm, no less, thanks to a preview by the Coral Gables Art Cinema and the French Embassy. I processed the French-Tunisian writer/director/actor’s career, and was able to sum it up in a preview in the Miami New Times’ art and culture section last week. Not enough seemed to have recommended it via social media, but I am very proud of it. You can read it by jumping through the blog’s logo below, just click the image:
I hope the first weekend went well for the retrospective, which included Kechiche’s powerful debut, La Faute à Voltaire and the deeply moving Games of Love and Chance. This weekend comes his two later films, also to be shown on 35mm, The Secret of the Grain and Black Venus, which — forget about Blue — stands as his most controversial film. I’ll let what I say about the movie in the Miami New Times stand. Believe me when I say it’s a bold but vital film.
I would like to add, however, that Kechiche’s knack for capturing earthy moments between people in a vivid, natural manner, which I praised so much in my review of Blue, is no fluke. All his films feel as though they come from life. His endings are special in their lack of resolution but their inspiration to rattle the viewer to consider his storytelling decisions for deeper insights into life. After all, in our own lives, we all only get one real ending, no? His films all feel like experiences, and if you live near Miami, you should not miss the opportunity to see these two later films in his career on the big screen and in 35mm, no less. I’ll leave you with these movies’ trailers.
Catch the second part of Kechiche Before Blue this weekend at the Coral Gables Art Cinema. The Secret of the Grain shows at 1 p.m. this Saturday and Black Venus screens Sunday, at 1 p.m. Details and tickets can be found here (that’s a hot link).