Vincent Moon retrospective in Miami — A review

August 1, 2014

Vincent Moon in MiamiI’ve been a fan of Vincent Moon since 2010, however, I had never heard about him until last week. Before then, I had spent countless hours watching La Blogothèque videos and other films directed by Moon but never paid attention to his name. I became aware of this videos by just searching for music that I like, which I often play it in the background, but there was something so unique about the videos from La Blogothèque. They are filled with a humanity that is usually absent from music videos, the type of incredible connection you can have to a musician during a live concert. These videos were also adventurous, often featuring some kind of action in the streets that just seemed very exciting and spontaneous. It was only until I listened to Moon talk about his artistic philosophy and filming style at an event hosted by the Indie Film Club last week that I understood how someone can encapsulate so much humanity into a very small video.

Last Thursday, July 24, I attended a retrospective on Moon’s work (read our preview interviews here). It sounded half bombastic to me: attending a retrospective for a guy who’s not 35 yet and has not released commercial work under the auspices of a big production house. Nonetheless, I was intrigued because of my own personal connection to the music that is in most of his work. The setting was The Screening Room, a small gallery in Wynwood, an unassuming room filled with fold out chairs and dozens of aspiring filmmakers.

The talk started as a friendly Q&A led by Diliana Alexander, Indie Film Club’s executive director, who admitted to the audience, “I’ve been trying to bring Vincent to Miami for years.” And there he was in front of an eager, capacity audience. He described his philosophy of making films as an artist would. He creates content that is free of charge and uploads it to Vimeo, YouTube or his own website for everyone to enjoy. His budgets are non-existent. “I believe it keeps things pure,” he said in a heavy French accent (he grew up in Paris, but has no specific home since about 2008). Indeed, the artist approaches each project from a human perspective, his goal, he described, is to make people look beautiful and showcase beauty through what they do: music. But much to my surprise he sees music as an expression of community and culture. He looks at musicians as generators of culture or providers of meaning as a cultural expression.

Vincent Moon and Diliana Alexander

Diliana Alexander and Vincent Moon

Moon quickly took over the conversation and often interrupted the discussion to share some of his favorite videos. In all of the highlights he shared, he described them as an experience that could not be replicated. Someone in the audience asked him about preparation ahead of each shoot. He said he travels around the world and meets with different musicians and people whom he records, but there’s no direction. When asked about research, he scoffed, paused and said that he traveled to each location without preconceived ideas. That’s when I understood the marvel behind the videos because you are experiencing with him something unique through his camera lens. One of my favorite videos he shared that night is the following. It took place in Argentina and you can see how it captures a moment in time that is quite special. The background sounds add an atmospheric layer that cannot be replicated– Moon mentioned it was firecrackers among other sounds that you can hear in the background adding an almost surreal percussive accompaniment.

As the night went on, a lot of the filmmakers wanted to know how he survives financially or how the artists themselves benefit, as his work is freely available to anyone for download. He was a little puzzled by the questions, just as puzzled as the audience about his disregard for “making it big.” He picks places based on a feeling and admits that his worry is the opposite. His concern is how big budgets actually take away something from his work. He relishes the freedom and challenge of working with minimal resources because limitations spark his own creativity.

I am only thankful to Indie Film Club for creating a space where directors like him can be featured at Miami venues. I leave you with my favorite videos (part I and II) from the Take Away shows. Shot in Colombia, featuring Bomba Estereo. I love how the music blends with the landscape…

Ana Morgenstern

(Copyright 2014 by Ana Morgenstern. All Rights Reserved. This material may not be published, broadcast, rewritten or redistributed without permission.)

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