The Independent Ethos’ Best Films of 2012 (so far)

December 31, 2012

Joaquin Phoenix in 'The-Master.' Image courtesy of Annapurna Pictures.There were many great film experiences for me this year. I had more access than ever thanks to the Florida Film Critics Circle, a group of professional film writers who welcomed me into their group in 2011. We voted on many films for several categories. The results of these winners was posted and discussed a bit here.

However, as the critic motivated to celebrate the independent ethos of creators of art, my votes for best films and their components often steer toward another direction. Well-made films are not always easy to understand (though they must first be well-made: smart, writing, illuminating pacing, surprising cinematography,  an eye for miseen-scène, great soundtracks and powerful acting performances can all be found in the films listed below). If I learned one thing while completing my MA thesis on Stanley Kubrick’s 2001: A Space Odyssey, it is that the depiction of the sublime should never seem literal. I would blame Ang Lee’s Life of Pi for something like that. It is also well and good that a film have entertainment value. I won’t deny that I enjoyed Ben Affleck’s Argo, but was it something more than thrilling jingoistic entertainment? It was not. Kathryn Bigelow’s Zero Dark Thirty does a little better, as it explores the slipperiness of the notion of truth. It’s a subtle thing, overshadowed by lots of dramatic violence, including 20 long opening minutes of torture, explosions and a climactic ambush attack whose results are no spoiler (review to come sometime next week).

Though one of the better film experiences of the year, Zero Dark Thirty still does not enter my top 10 (it may enter my top 20— that list to come in February). My top 10 are for those looking for something even deeper. It starts with a gut feeling that is hard to explain, but even if you cannot understand the film at first glance, there is something in it that makes you feel you saw something different. These films often warrant and reward repeat viewings (or a lengthy review on my part). Several of the films listed below I did see more than once this year. Here are my top 10 films of 2012, as of Dec. 31 (with links to my original reviews were appropriate. Note: all titles are links that will re-direct you to the title’s Blu-ray version on Amazon. By buying the item through that link, you support the Independent Ethos with a commission at no extra charge to you):

the_master_turkish_poster_color_high__span

1. The Master

(read my full review)

The Turin Horse - poster art

2. The Turin Horse

(read my full review)

Holy Motors - poster art. Image courtesy of Indomina Releasing

3. Holy Motors

(read my full review)

'This Is Not a Film' poster art

4. This is Not a Film

(read my full review)

Amour - poster art

5. Amour

(read my full review)

takethiswaltzpostersmall

6. Take This Waltz

(This film was not reviewed on Independent Ethos)

'In the Family' Poster art. Image courtesy of In the Family LLC

7. In the Family

(read my full review)

beats-of-the-southern-wild-movie-poster

8. Beasts of the Southern Wild

(This film was not reviewed on Independent Ethos)

Moonrise Kingdom - poster art

9. Moonrise Kingdom

(read my full review)

cosmopolis_poster

10. Cosmopolis

(read my full review)

Now, why “as of Dec. 31” or the “so far” in this post’s title? As noted in a similar post for 2011, based on my experience as a film critic in Miami, many great foreign films of the year do not make it to my area until the early part of the following year. Amour saw its debut in Cannes at the start of this year, but will not see official release in Miami until the end of January. Thanks to my membership in the FFCC I had a chance to see this movie way in advance. However, I still have not had the opportunity to see much praised foreign works like Miguel Gomes’ Tabu, Christian Petzold’s Barbara and Cristian Mungiu’s Beyond the Hills. I also have some catching up to do. I have yet to see Kleber Mendonça Filho’s Neighboring Sounds and Jacques Audiard’s Rust and Bone. So there is still time for the top 10 to shift. In order to make up for the shift and allow for some text to explain my top 10 (the under-appreciated and often superficially understood Take This Waltz especially merits some explaining). In February, I plan to do what I did for my favorite films of 2011 with this post and this post. So here’s to looking forward to what 2013 has to bring. Happy New Year, indeed!

1_e_Cristian-Mungiu-_Beyond-the-Hills

Hans Morgenstern

(Copyright 2012 by Hans Morgenstern. All Rights Reserved. This material may not be published, broadcast, rewritten or redistributed without permission.)

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